Directorial Work
It is my belief that theater should be a delightful experience, brimming with discovery, reflection, and enjoyment for all.
Sleeping Beauty by Helen Coutts Bennett
An engaging production for young performers centering around the visual dramatic shift that occurs within 100 years aiming to create a low-budget but theatrically impressive show.
Debut Theatre Company
The Late Wedding by Christopher Chen
An exploration of love and longing all through the lens of the playwright’s notes – something the play does not let the audience get away from and cannot be forgotten.
Directing Workshop Colorado State University
East or West, Home is Best an Adaptation
This theatrical adaptation of a swedish folktale was designed to foster the creative minds of young performers, focusing on the beautiful simplicity often represented in folktale adaptations.
Debut Theatre Company
Assistant Director
Machinal by Sophie Treadwell
Inspired by Ruth Snyder’s story, this production of Machinal visually traps the Young Woman within a relentless, circular machine. We stage Machinal to physically represent the ‘machine of modern society,’ portraying the Young Woman’s life as a trapped, cyclical journey within its gears, highlighting the play’s exploration of female oppression.
Colorado State University, Directed by Debbie Swann
Twelfth Night by William Shakespeare
This rendition aims to recreate the play’s original festive atmosphere, exploring themes of love, gender, and status through cross-dressing and role reversal, inspired by the historical Twelfth Night celebration. This was done specifically by highlighting Viola’s transformative influence as she literally brings vibrant color to a previously black and white world.
OpenStage Theatre Company, Directed by Debbie Swann
My Misson
My passion is to create theater that radiates the love and dedication of everyone involved. It’s not about showcasing excessive talent or artistry, but rather a labor of love. A production that’s meticulously crafted, infused with passion, resulting in a captivating and cohesive story for the audience.
I’m drawn to theater that highlights the intertwined nature of good and bad, revealing how even the most ordinary individuals can harbor hidden depths. By fostering empathy within the cast and audience, I aim to inspire understanding and connection.
I believe in theater that delves into the depths of the human condition, challenging our perceptions and encouraging self-reflection. I strive to create an environment where everyone involved, from designers to actors to audience members, gains something valuable from the experience.
A collaborative and empathetic approach is paramount in my work. I hold myself and everyone involved accountable for maintaining the highest standards, as I believe theater should challenge the audience and hold a mirror to their own lives.
Above all, I’m committed to creating theater that’s enjoyable for everyone involved. A space where creativity flourishes and audiences leave feeling inspired, entertained, and perhaps even transformed.
DANCE CAPTAIN
In addition to choreographing for children’s theater, I have had the pleasure of working as a dance captain cleaning choreography and running lift calls. This has allowed me to continue developing skills in running a rehearsal, communicating aptly with adult performers, and quick choreography retention.
Spring Awakening
Director: Noah Racey
Cinderella
Director: Erin Anderson
The 25th Annual Putnam County Spelling Bee
Director: Noah Racey
FIGHT CAPTAIN
It has been my immense pleasure to work as a fight captain. I have taken stage combat classes and been the captain of several shows. Most notably, Spring Awakening Dir. Noah Racey, The Adventures of Tom Sawyer Dir. Dillon Kenyon, and The 25th Annual Putnam County Spelling Bee Dir. Noah Racey.
The 25th Annual Putnam County Spelling Bee
Director: Noah Racey
The Adventures of Tom Sawyer
Director: Dillon Kenyon
Spring Awakening
Director: Noah Racey
Nyssa Justis 